By using a singular material such as polystyrene, Tara Donovan's innovative sculptural pieces foreground the physical characteristics of everyday objects. An exhibition of her recent work at Pace Gallery, London, marks a departure from the artist's well-known monumental forms, instead focusing on the two-dimensional picture plane. The shape of the stacked styrene cards becomes defined by the frame, creating unique patterns that appear to be in motion.   From 24 January…

By using a singular material such as polystyrene, Tara Donovan's innovative sculptural pieces foreground the physical characteristics of everyday objects. An exhibition of her recent work at Pace Gallery, London, marks a departure from the artist's well-known monumental forms, instead focusing on the two-dimensional picture plane. The shape of the stacked styrene cards becomes defined by the frame, creating unique patterns that appear to be in motion. From 24 January…

Defining Style with Color

Traditional Kitchen Ideas

I love the way the back wall of cabinets are painted the deeper blue, with the white island and stools in the foreground . really makes a great focus wall! Defining Style with Color

Define foreground and background colors

Photo Retouching Tips And Tricks In Photoshop

Photo Retouching Tips And Tricks In Photoshop – Smashing Magazine

tom chambers photography | portfolio - entropic kingdom

Tom Chambers’ ‘Reverie’: Photos That Blend Reality With Dreams - Photo Journal - WSJ

https://flic.kr/p/eHgs5v | Priest Lake Milky Way Aurora | Here's another pano from my trip to Priest Lake. This has the best color of the Aurora but I lost the top of the Milky Way in the merge.  I found that many of my attempts at photomerge in Photoshop didn't work. The lack of defining details in the sky and the effort to get the lake and the Milky Way in the frame made it difficult. In the past I always was able to point up at the foreground object, making it much easier to get images…

https://flic.kr/p/eHgs5v | Priest Lake Milky Way Aurora | Here's another pano from my trip to Priest Lake. This has the best color of the Aurora but I lost the top of the Milky Way in the merge. I found that many of my attempts at photomerge in Photoshop didn't work. The lack of defining details in the sky and the effort to get the lake and the Milky Way in the frame made it difficult. In the past I always was able to point up at the foreground object, making it much easier to get images…

Foreground defined - From Goodbye-Art Academy - YouTube

Foreground defined - From Goodbye-Art Academy

The different shades of blue help define the different hills in the picture. Makes me think of Bosna

Art 1 color theory- shades/tints/monochromatic landscape tints and shades lesson .that is one thing it is but. I think it would be a stupendous QUILT!

On a winter walk around Oakland on Saturday I found this composition. I love the shadow from the trees onto the snow covered ice. It having a defined foreground, middle ground, and back ground which i think makes this a very theatrical piece. Would love to see that middle ground and back ground on the stage!

On a winter walk around Oakland on Saturday I found this composition. I love the shadow from the trees onto the snow covered ice. It having a defined foreground, middle ground, and back ground which i think makes this a very theatrical piece. Would love to see that middle ground and back ground on the stage!

Variety David Em  Title: Transjovian Pipeline, 1979, Medium: Digital Image All different sizes of shapes, colors, and designs reside within this image. You have 3 rectangles that define the overall background, but within each of them you have a set of very different presentations. Additionally in the foreground a pipeline  design cuts across at a diagonal, which is different in position to the background.

Variety David Em Title: Transjovian Pipeline, 1979, Medium: Digital Image All different sizes of shapes, colors, and designs reside within this image. You have 3 rectangles that define the overall background, but within each of them you have a set of very different presentations. Additionally in the foreground a pipeline design cuts across at a diagonal, which is different in position to the background.

In de foreground is de Arc du Carrousel, which defines de east end of de Voie Triomphale, n oso de start of de Jardins des Tuileries. In de distance is de Eiffel Tower in Paris, IIe-de-France_ North France

In de foreground is de Arc du Carrousel, which defines de east end of de Voie Triomphale, n oso de start of de Jardins des Tuileries. In de distance is de Eiffel Tower in Paris, IIe-de-France_ North France

Baboquivari Peak and Range, So. Arizona. Rising like an eagle-headed beak out of the Sonoran Desert on the eastern Papago Indian Reservation, its 7730 ft. summit equally points up the well-defined Prickly Pear cactus in the foreground. Baboquivari, an Indian word, means-- with its beak in the air. [Photographer's caption] :: Colorado Plateau Archives

Baboquivari Peak and Range, So. Arizona. Rising like an eagle-headed beak out of the Sonoran Desert on the eastern Papago Indian Reservation, its 7730 ft. summit equally points up the well-defined Prickly Pear cactus in the foreground. Baboquivari, an Indian word, means-- with its beak in the air. [Photographer's caption] :: Colorado Plateau Archives

Wireframe 2. Large strokes combine to form fields of color like gossamer silks. Delicate "wires" of color define a foreground and provide a counterpoint. Art Prints and Home Decor abstract, art4sale, vertical lines, muted colors

Wireframe Large strokes combine to form fields of color like gossamer silks. Delicate "wires" of color define a foreground and provide a counterpoint. Art Prints and Home Decor abstract, vertical lines, muted colors

(above) An 1890 bird’s-eye view shows Tucson’s traditional urbanism. The private outdoor space typically found at the center of each block can be seen in the foreground. The continuous height and scale and the inherent density of the urban fabric define the void of the public plaza and the public street.

(above) An 1890 bird’s-eye view shows Tucson’s traditional urbanism. The private outdoor space typically found at the center of each block can be seen in the foreground. The continuous height and scale and the inherent density of the urban fabric define the void of the public plaza and the public street.

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