Jackson Pollock: I love the emotion in his paintings. Want to see some in person

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Painting by Jackson Pollock, 1948, Composition No. 16,Oil on canvas.

Painting by Jackson Pollock, Composition No. Gestural painting, like Jackson Pollock, has roots in the happening art movement.

Jackson Pollock - One: Number 31 (1950).

After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his "drip" technique. One: Number 31 - Art by Jackson Pollock.

Cathedral, 1947 - Jackson Pollock  Gotta' love Jackson Pollock, who else could pull off super popular art, that is just paint thrown onto canvas?

Cathedral - Jackson Pollock Completion Date: 1947 Style: Action painting Period: Drip period Genre: abstract painting Technique: mixed technique Material: canvas Dimensions: x cm Gallery: Dallas Museum of Fine Arts, Dallas, Texas, USA

Resultados da pesquisa de http://3.bp.blogspot.com/-KxI01vnca5c/TiNMErTbqEI/AAAAAAAAC4U/1oWB-62B3ug/s1600/33201937.29192212.11_jackson_pollock_4w.jpg no Google

Pinturas de Jackson Pollock!

ratak-monodosico: “Jackson Pollock aka Paul Jackson Pollock - Spring Inspired, c. Paintings: Oil on Canvas ”

Jackson Pollock.

This piece also fits in with my idea of Forte (Loud) under the idea of using musical terms in my art. The experience.the physical Jackson Pollock, Nationality: American American painter, the commanding figure of the Abstract Expressionist movement.

Jackson Pollock                                                                                                                                                                                 More

Jackson Pollock Summertime: Number Oil paint, enamel paint and commercial paint on canvas, 848 x 5550 mm © Pollock - Krasner Foundation, Inc.

Jackson Pollock - Painter.

Jackson Pollock dribbling sand on a painting while working in his studio / photo Martha Holmes/Time Life Pictures/Getty Images

LOGICAL REASONING QUESTION: Method of Argument  how argument is constructed (not what argument is)

Peinture et énergie, l’éclat des couleurs

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