Detail of Openness by Tianli Zu A large, very corporate feeling space, is not a gallery I've been overly enthusiastic to check out. But there are some beautiful works in this current exhibition. I'm always a huge sucker for layered paper cuts.
George Tjungurrayi's Untitled (2002). My first visit to Sydney's MCA was hugely exciting. I wasn't really blown away I was just overwhelmed by the energy of the place. I loved Tjungurrayi's Untitled because, and while I'm sure it's testament to my ignorance, I hadn't seen an evolution in Aboriginal Art. I thought it inherently impossible, perhaps many would agree it should be. I'm not versed enough in the politics of it to say, but I was chuffed to see a beautiful new looking work.