Image gallery: No llegan á tiempo (They do not arrive in time) / Los Desastres de la Guerra (The Disasters of War) - Plate 52: woman collapsed dead(?), held by another three; from an unbound album of working proofs, presented by the artist to Ceán Bermúdez. 1812-15 Etching, lavis, drypoint and burin with some surface tone, printed on paper with watermark "J.G.O." and shell

Luis Miguel Goitizolo said: From "Los Desastres de la Guerra" ("The Disasters of War")FamineFrancisco de Goya - No llegan a tiempo ("They do not arrive in time") Francisco .

Image gallery: Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful events in the front rows of the ring in Madrid and death of the mayor of Torrejon) / La Tauromaquia - Plate 21: elevated view over stand at edge of arena, with bull in ring goring figure on horns, others laying dead in rows at front; unrecorded post 1816 impression. 1816 Etching, burnished aquatint, lavis, drypoint and burin

Image gallery: Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful events in the front rows of the ring in Madrid and death of the mayor of Torrejon) / La Tauromaquia

Image gallery: Caridad de una muger (A woman's charity) / Los Desastres de la Guerra (The Disasters of War) - Plate 49: woman bringing food to starving figures on corner of street, wealthy couple looking on to right; from an unbound album of first edition impressions. 1812-15 Etching, lavis, burin and burnisher with surface tone, printed on paper with watermark "J.G.O." and shell

Image gallery: Caridad de una muger (A woman's charity) / Los Desastres de la Guerra (The Disasters of War) - Plate 49: woman bringing food to starving figures on corner of street, wealthy couple looking on to right; from an unbound album of first edition impressions. 1812-15 Etching, lavis, burin and burnisher with surface tone, printed on paper with watermark "J.G.O." and shell

Image gallery: drawing - Lunatics; two crouching figures beneath the legs of a grinning man. c.1825-28 Black chalk and crayon

two crouching figures beneath the legs of a grinning man. Black chalk and crayon

Francisco José de Goya y Lucientes - Otra locura suya en la misma plaza, an etching - 'Another madness of his in the same ring', plate 19 from the series Tauromaquia - etched 1815, first published 1816

Francisco José de Goya y Lucientes - Otra locura suya en la misma plaza, an etching - 'Another madness of his in the same ring', plate 19 from the series Tauromaquia - etched first published 1816

Image gallery: drawing - Double equestrian portrait of Charles IV and María Luisa, study for an unexecuted painting; María Luisa sitting astride a horse turned to left and standing nearest to foreground, beside her Charles leaning slightly towards her. c.1799 Graphite and brush and brown ink, with brown wash

Image gallery: drawing - Double equestrian portrait of Charles IV and María Luisa, study for an unexecuted painting; María Luisa sitting astride a horse turned to left and standing nearest to foreground, beside her Charles leaning slightly towards her. c.1799 Graphite and brush and brown ink, with brown wash

Image gallery: Asi sucedio (This is how it happened) / Los Desastres de la Guerra (The Disasters of War) - Plate 47: monk slumped against rail, looting soldiers(?) behind carrying off candlesticks and icons; 1863 impression. 1810-12 Etching, burnished aquatint, lavis, drypoint, burin and burnisher, with heavy surface tone

Soldiers in large fur hats, long coats and winter uniforms murder priests by running them through with their long bladed swords.

Image gallery: Viejo columpiandose (Old man on a swing) - posthumous pre-1859 impression. 1818-23 etching, burnished aquatint and /or burin

Image gallery: Viejo columpiandose (Old man on a swing) - posthumous impression. etching, burnished aquatint and /or burin

Image gallery: Landscape with buildings and trees - before 1810 etching and burnished aquatint, c1920 impression, two rejoined plates

Image gallery: Landscape with buildings and trees - before 1810 etching and burnished aquatint, impression, two rejoined plates

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