Cy Twombly Poems to the sea i-vi, 1959  oiil graphite, wax on paper.

Cy Twombly, Poems to the Sea i-vi, oil, graphite, wax crayon on paper. “He visualises with loving colours the silent space that exists between and around words.

Cy Twombly, Fifty Days At Iliam: House Of Priam, 1978 / l’Altissimo /

cy twombly - oil + oil crayon + graphite on canvas - fifty days at iliam: house of priam

Cy Twombly / Wax crayon and pencil                                                                                                                                                                                 More

In art college, one wag called this type of work "educated doodling." Cy Twombly, Untitled 1983 / Wax crayon and pencil on paper, 101 x 70 cm.

Cy Twombly, Untitled (Analysis of the Rose as Sentimental Despair), panel V of V  Bassano in Teverina 1985  oil, oil/wax crayon, water-based paint, and pencil on canvas stapled to wood panel  gesso and oil/wax crayon on wood panel  71 1/4 x 44 1/8" (181 x 112.1 cm )  Cy Twombly Gallery, The Menil Collection, Houston (not in exhibition)

Twombly: Twombly, Untitled (Analysis of the Rose as Sentimental Despair)

Cy Twombly, Untitled, 1970, Graphite pencil, colored pencil, oil, crayon, tape, printed and photographic paper, and plywood on cardboard. The Menil Collection, Houston; Gift of the artist. Photography by Paul Hester ©Cy Twombly Foundation

Cy Twombly. Treatise on the Veil

The Cy Twombly Gallery: The Menil Collection, Houston - Bing Images

Gasp! That’s the sound I made when I saw some of this work, by California-born artist Brooks Salzwedel, when I was in LA a few weeks ago. These images are gorgeous, but it doesn’t do them justice if y

brooks salzwedel (The Jealous Curator)

Brooks Salzwedel: Layers and layers of mixed media, layers of transparencies, frosted spray paint and paint.