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Photographer: Viona Art  MUA: Debbie Declerq  Models: Mark van der Waals and myself.    Baroque.

Photographer: Viona Art MUA: Debbie Declerq Models: Mark van der Waals and myself. Baroque.

Vivienne Westwood 1995

torn between dresses and fantasy

Vivienne Westwood evening dress inspired by a portrait of Madame de Pompadour by Francois Boucher , from the collection “ Vive la Cocotte ” , autumn-winter

Post anything (from anywhere!), customize everything, and find and follow what you love. Create your own Tumblr blog today.

Post anything (from anywhere!), customize everything, and find and follow what you love. Create your own Tumblr blog today.

Photographer: Viona Art  MUA: Debbie Declerq  Models: Mark van der Waals     Baroque gentlemens outfit made by La Rose Couture.

Photographer: Viona Art MUA: Debbie Declerq Models: Mark van der Waals Baroque gentlemens outfit made by La Rose Couture.

The Duchess, 2008, 18th C., Keira Knightley as Georgiana, Duchess of Devonshire; costume design by Michael O’Connor. Academy Award & BAFTA Award for Best Costume Design.

The Duchess Century Keira Knightley as Georgiana, Duchess of Devonshire Costume Design by Michael O’Connor Academy Award and BAFTA Award for Best Costume Design Bowers Museum

1787: Mendel. "Philibert-Louis Debucourt's painting "La Promenade au Palais Royal" was the inspiration for this doll by Mendel. Debucourt (1755-1832) was a French printmaker and social satirist known for his depictions of French society. "La Promenade au Palais Royal" caricatures the indulgent and frivolous nature of French society including prostitutes and other undesirables leading up to the French Revolution."

Doll” from the Gratitude Train Mendel 1949 “ Philibert-Louis Debucourt’s painting “La Promenade au Palais Royal” was the inspiration for this doll by Mendel. Debucourt was a French.

Disney’s Cinderella Trailer: The Costumes of Sandy Powell

Disney’s Cinderella Trailer: The Costumes of Sandy Powell (clothesonfilm.com)

Ballgown, 1780-85 France, Musée des Tissus de Lyon  This dress, also called “robe parée”, is a ball dress. The skirt is worn over a pannier which, early 1780, was less ample than the one used under the dress “à la française”. The decoration consists of appliqué painted flowers, gauze flounces and extremely refined embroideries. It exemplifies the dresses Rose Bertin, Marie-Antoinette’s dressmaker, used to create for the queen.

Ballgown, France, Musée des Tissus de Lyon This dress, also called “robe parée”, is a ball dress. The skirt is worn over a pannier .

Outfit groom made by La Rose Couture. Photo made by Eline Spek.

A wedding in (rococo) style. Outfit groom made by La Rose Couture. Photo made by Eline Spek.

Robe à la Française ~ (1775)

Historial Costume Galleries at Lotherton Hall Lotherton's holdings of historical costume have their roots in the Sanderson collection bought by Leeds City Art Galleries in Especially rich in eighteenth-century dresses and fine suits the collection ha

Photographer: Viona Art  MUA: Debbie Declerq    Baroque outfit and jewellry made by La Rose Couture.

Baroque/Rococo, century Ballgown worthy of Marie Antoinette/ Venice Carnavale

Photographer: Viona Art    Baorque inspired outfit, jewellry and hat made by La Rose Couture.

Photographer: Viona Art Baorque inspired outfit, jewellry and hat made by La Rose Couture.

"1787 Doll"  Mendel   Designer: Rose Valois (French) Designer: René Rambaud Date: 1949 Culture: French Medium: metal, plaster, hair, wool, fur, silk Dimensions: 28 x 16 in. (71.1 x 40.6 cm) Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Syndicat de la Couture de Paris, 1949 Accession Number: 2009.300.721a–c

fashionsfromhistory: Doll” from the Gratitude Train Mendel 1949 “ Philibert-Louis Debucourt’s painting “La Promenade au Palais Royal” was the inspiration for this doll by Mendel.

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